So while we were in the warehouse, and actors and extras were between takes, we would record a number of actions and angles against a green screen as our PA took reference photos of the location with all the lights on.
“We spoke with Simon about how to best achieve it, and he said the most efficient thing would be to film each actor on a green screen background plate while we were on set. We were also very fortunate to make connections in San Antonio with other producers and filmmakers there and use Alamo City Studios, a soundstage and warehouse downtown there that provided many of the ‘takedown’ setups as a background for the majority of our action.” The Night Vision sequences, in particular, are a staple feature of the action/crime genre, how did you pull this off?